She wonders if she has made the right decision. Un film de Robert Guédiguian. Amid punchier, more provocative, more aesthetically challenging arthouse titles, his work moves to the calmer rhythms of classical naturalism, in which each new title feels more like a new chapter in a career-spanning novel — or a book of interconnected short stories, perhaps — about life and love and social class in the suburbs of Marseille.Working with the same troupe of excellent actors he has cast in differing permutations through the years, most notably his wife This time the now-64-year-old Ascaride plays Sylvie, mother of two adult daughters, Aurore (Lola Naymark) and Mathilde (Anaïs Demoustier), the latter of whom is giving birth to a baby girl as the film begins, to a predictable if effective soundtrack of fetal heartbeats and classical opera. Joining her mother at her hospital bedside are Mathilde’s husband, the proud new father Nicolas (Robinson Stévenin); Aurore and her flashy, coked-up boyfriend Bruno (Grégoire Leprince-Ringuet); and the kindly Richard (Jean-Pierre Darroussin), Sylvie’s partner, whom both daughters call Dad even if biologically he is not related to Mathilde. If the new news in Guediguian’s last film “The House by the Sea” was the introduction of a subplot about refugees, this time it’s the observation of the gig economy. www.allocine.fr/video/player_gen_cmedia=19584745&cfilm=269632.html Her birth father Daniel (Gérard Meylan) is absent for the good reason he is incarcerated in Rennes prison, serving out the end of a 20-year sentence for a lethal brawl in which, Sylvie insists, he was defending a friend. A man in his early thirties returns to the rural farm of his childhood and rejoins the family struggle to get by. On the 25th anniversary of Capaci and via D'Amelio bombings, Franco Maresco wonders what's left of their ideals and struggles in contemporary Sicily, dwelling on its relationship with the Mafia. It was selected to compete for the Golden Lion at the 76th Venice International Film Festival.
For the "story of the month," Coline, a contributor to a women's magazine, is sent deep into the Pyrenees to interview Simon, a rather wild artist who claims his mother appeared to him at ... Their exploitation of their clientele and their workshop employees, whom they pay under the table, is summed up proudly in a speech Bruno gives at the opening of their second store, in which he extols an Ayn Randian philosophy about life’s winners and losers.The performances are all strong, although the younger generation — especially the basically awful Aurore and the rapacious horndog Bruno — are given less dimension by Guédiguian, who even in terms of Pierre Milon’s warm-toned, sympathetic photography and Michel Petrossian’s gentle scoring, inevitably favors his peers. At the Venice Film Festival, Ariane Ascaride won the Volpi Cup for Best Actress.
The aging, regretful, haiku-writing Daniel’s release from prison, and his desire to be part of his granddaughter’s life, gently initiates the slightly overfamiliar circle-of-life dynamic of the film.But there are other strings to its bow. Gloria Mundi, c’est d’abord une prestigieuse consécration vénitienne avec ce prix d’interprétation glané par Ariane Ascaride à la Mostra. It is unusual to see a woman of Ascaride’s age drawn (especially by a male director and screenwriter duo) with such consideration for her internal life, and Ascaride, much more than her husband’s muse, finds lovely notes to play in Sylvie’s patient, pragmatic grandmother.Taken as a whole, Guediguian’s filmography starts to look like the one lifelong project, an almost real-time chronicle of France’s boomer generation, whose May ’68 values are so markedly different from their American contemporaries, from their turbulent, idealistic twenties right through to a calmer, more reflective retirement age. And in just a few closeups, revealing the complexity and depth of her response to the return of her old flame, Sylvie too is rounded out and respected. Personal and professional issues stand in comical tension as she goes through an emotional storm. « Gloria Mundi » est le titre de ce film sorti en 2019. The lead actress won for best actress this summer at the Venice Film Festival and it is well merited.
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