View All Photos (12) Click to read review Carlo Simi's art direction is subtle, but that only adds to the convincingness of this era, and rather handsomely, at least when the visuals and production values behind cinematography by Enzo Barboni whose bleak palette is handsomely unique, even to this day. Just leave us a message Please reference “Error Code 2121” when contacting customer service.You're almost there! Django is alleen, de doodkist die hij met zich meedraagt blijkt een machinegeweer te bevatten. Further more Corbucci's own brand of story-telling tends to be a bit more brutal and violent than normal, his vision is accompanied with such acts that could leave a normal audience disturbed.
Binge Central The plot is similar to "A Fistful of Dollar" in which two separate gangs get played by our hero.
One particular scene comes in mind. Unlike Curbucci's previous "Navajo Joe" here the score is supplied by Luis Bacalov, who does a commendable job with an especially catchy opening theme song. Well, due to dramatic meat's being thin, the characterization is thin, both in expository depth and in dimension, but as a portrait on the romantic, yet brutally lawless world of an Old West nearing Mexico, this film's thematic depth thrives on the characters, providing some degree of weight that all but compensates for the inconsequentiality which plagues so much of the story concept. There are a number of subtly draggy plotting points that meander along, but, considering that the final product is merely a little over 90 minutes long, if nothing else retards momentum, it is a slow "sense" of momentum, for although Sergio Corbucci's direction is generally reasonably colorful, when dry spells kick in, the film dulls down, something that it can't afford to do if it wishes to craft a project whose execution is more rewarding than its concept. August 3, 2010 Hij kiest geen partij voor een van de elkaar vijandiggezinde groepen, maar vecht zijn eigen strijd. Terrific direction makes good use of it limitations and plays of it story to great success. The 58 Most Anticipated Movies of 2020 There is no double play here, Django doesn't act with the same grace and precision Joe did, and he doesn't' care much for it either, Nero's character is a killing machine, and the contents of the coffin he drags show that ability of his. A mysterious man trudges into town dragging a mud-stained coffin behind him. Corbucci, who co-wrote the story, fashions an unrelentingly violent tale of rival gangs squeezing the life out of a muddy, bloody border town, reveling in the sadism of the genre. Nero played a small role as Vassepi who in the film goes to the bar for a drink and encounters Django, played by Jamie Foxx.
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The music kickass so much that Tarantino used the theme song in "Django Unchained". Django (1966) Movies, TV, Celebs, and more... Oscars Best Picture Winners Best Picture Winners Golden Globes Emmys San Diego Comic-Con New York Comic-Con Sundance Film Festival Toronto Int'l Film Festival Awards Central Festival Central All Events |
It seems the town had been torn apart by countless battles between a group of racist Southerners that wear red ties as indication of their "beliefs" and the forces of a rebel self-proclaimed Mexican general.
Yeah, Django is pretty much to Italian cinema what Wong Fei-hung is to Hong Kong cinema, except the thing is that, with all of my going on about how they finally got a spaghetti western icon who is actually played by an Italian, Django is a dismissed Union soldier. Overall, certain histrionics are made all the more glaring by conventions, while underdevelopment, dragging and bland atmospheric dry spells emphasize the film's lacking a dramatic solid story concept to begin with, thus, the final product falls short of rewarding, but is nonetheless carries close enough by excellent scoring, decent art direction, handsome cinematography, good performances, - particularly by the charismatic Franco Nero - memorable characters and slick direction - highlighted by strong action and some biting dramatic atmosphere - to make Sergio Corbucci's "Django" a reasonably thrilling, if flawed spaghetti western classic. [VIDEO ESSAY] With an emphasis on gory brutality, Corbucci introduced a blood-soaked drifter closely modeled after Clint Eastwood's iconic character from Leone's films, but with one clear difference - Django drags a coffin with him everywhere he goes.
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